"In interactive art, mapping problem becomes increasingly complex, seeing that the public is invited to become an equal partner in the construction of meaning. This role is far more than merely fulfilling a role as an interpreter of (artistically) implied meaning.
"...'create an autonomous virtual social agent that is able to communicate...' such agents should be able to deal with capabilities of both synthesis and analysis. In order to do so, it is necessary to have a mapping strategy that is deduced from objective measurements, ideally cross-referenced with an analysis of subjective experience. This mapping strategy should also have a more universal nature than a mapping available to the public based solely on the artist's decisions. "
Interactivity and biometrics - "The choice for using a heart rate sensor is very much related to the belief that change in heart rate is an involuntary corporeal function, and thus it should behave on a more subliminal level than responses induced by cognition."
from "Coming from the heart: heart rate synchronization through sound" at http://biblio.ugent.be/input/download?func=downloadFile&fileOId=926016
Installation artists that use pulse pressure
Pulse Room
Soundstorm Installation
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